Bad Bunny's Apple Music Super Bowl LX Halftime Show Performance Breaks Records

Bad Bunny’s Apple Music Super Bowl LX Halftime Show Performance Breaks Records

Bad Bunny’s Apple Music Super Bowl LX Halftime Show Performance Breaks Records

Bad Bunny’s Apple Music Super Bowl LX Halftime Show performance united music fans around the world, according to real-time listening data from Apple Music and Shazam.

Historic Performance at Levi’s Stadium

Earlier today, Bad Bunny took center stage at Levi’s Stadium in Santa Clara, California, for the Apple Music Super Bowl LX Halftime Show. The historic performance featuring Lady Gaga and Ricky Martin generated unprecedented engagement from fans around the globe, according to real-time listening data on Apple Music.

The number of simultaneous Bad Bunny listeners spiked immediately after halftime, cementing the global superstar’s set as one of the most buzzworthy music moments of the year. And Thursday’s Apple Music Super Bowl LX Halftime Show Press Conference with Bad Bunny was the most watched in Super Bowl history.

Apple Music Super Bowl LX Halftime Show Press Conference Breaks Records

Within the first 48 hours, the Apple Music Super Bowl LX Halftime Show Press Conference with Bad Bunny became the most watched in Super Bowl history with more than 63 million views across an array of related content, including the live stream and social clips.

Bad Bunny Listens Rise on Apple Music

Immediately after the Apple Music Super Bowl LX Halftime Show, Bad Bunny listens on Apple Music were up 7x. ‘DtMF,’ ‘BAILE INoLVIDABLE,’ and ‘Tití Me Preguntó’ were the most streamed songs immediately after the show.

Additional Insights from Apple Music

Following the release of the official Halftime Show trailer on January 16, plays of Bad Bunny tracks surged on Apple Music.

Plays of ‘BAILE INoLVIDABLE’ surged by 54 percent in the U.S. and 36 percent globally.

‘BAILE INoLVIDABLE’ plays saw a notable lift in non-Spanish-speaking countries, including Canada (60 percent), the UK (54 percent), and Brazil (43 percent).

Lyrics views for ‘BAILE INoLVIDABLE’ jumped by 119 percent in the U.S. and 79 percent globally.

‘BAILE INoLVIDABLE’ jumped to No. 1 on the U.S. Latin chart.

‘BAILE INoLVIDABLE’ was a top 10 song in nine U.S. cities. The hit single jumped 50 chart spots in Chicago and 71 chart spots in Houston, landing in the top 10 of two cities with large NFL viewerships.

The top songs were 1. ‘BAILE INoLVIDABLE,’ 2. ‘DtMF,’ 3. ‘Tití Me Preguntó,’ 4. ‘Moscow Mule,’ and 5. ‘Vete.’

The top listener cities were 1. Mexico City; 2. New York City; 3. Los Angeles; 4. Lima, Peru; 5. Chicago; 6. Houston; 7. Dallas; 8. Miami; 9. Santiago, Chile; and 10. Ecatepec de Morelos, Mexico.

Bad Bunny Soars on Shazam

In the lead-up to Super Bowl LX, Bad Bunny fans have flocked to Shazam, with volume on the artist’s tracks increasing month over month since November.

In the U.S., average daily Shazam recognitions were 8 percent higher throughout January than in the previous month.

In January, monthly U.S. radio spins of Bad Bunny reached their highest point since June 2025, with a 13 percent uplift on the six months prior.

Since Bad Bunny was announced as the Apple Music Super Bowl LX Halftime Show headliner, his lyrics have been viewed more times on Shazam than any other non-English-language artist, with the U.S. leading the way for views.

‘BAILE INoLVIDABLE’ saw a 130 percent increase in Shazam volume on January 16 — the day the official trailer was released — compared to the daily average for the seven days prior.

In the U.S., ‘BAILE INoLVIDABLE’ saw a 130 percent increase in Shazam volume on January 16 — the day the official trailer was released — compared to the daily average for the seven days prior.

The top songs on Shazam were 1. ‘BAILE INoLVIDABLE,’ 2. ‘DtMF,’ 3. ‘Tití Me Preguntó,’ 4. ‘Moscow Mule,’ and 5. ‘Vete.’

The top listener cities on Shazam were 1. Mexico City; 2. New York City; 3. Los Angeles; 4. Lima, Peru; 5. Chicago; 6. Houston; 7. Dallas; 8. Miami; 9. Santiago, Chile; and 10. Ecatepec de Morelos, Mexico.

Conclusion

Bad Bunny’s Apple Music Super Bowl LX Halftime Show performance was a historic moment in music history, breaking records and uniting fans around the world. With unprecedented engagement on Apple Music and Shazam, Bad Bunny’s set will be remembered as one of the most buzzworthy music moments of the year.

Whether you’re a die-hard Bad Bunny fan or just discovering his music, there’s no denying the impact of his performance on the music industry. As we look to the future, one thing is clear: Bad Bunny is a force to be reckoned with.

So, what are you waiting for? Watch the full Apple Music Super Bowl LX Halftime Show performance and listen to the full set list. And don’t forget to follow Bad Bunny on Apple Music and Shazam for the latest updates and behind-the-scenes insights.

FAQs

Q: What was the most watched Apple Music Super Bowl LX Halftime Show Press Conference in Super Bowl history?

A: The Apple Music Super Bowl LX Halftime Show Press Conference with Bad Bunny was the most watched in Super Bowl history with more than 63 million views across an array of related content, including the live stream and social clips.

Q: What were the top songs streamed immediately after the Apple Music Super Bowl LX Halftime Show?

A: ‘DtMF,’ ‘BAILE INoLVIDABLE,’ and ‘Tití Me Preguntó’ were the most streamed songs immediately after the show.

Q: What was the notable lift in non-Spanish-speaking countries for ‘BAILE INoLVIDABLE’ plays?

A: ‘BAILE INoLVIDABLE’ plays saw a notable lift in non-Spanish-speaking countries, including Canada (60 percent), the UK (54 percent), and Brazil (43 percent).

Q: What was the top listener city on Apple Music?

A: The top listener city on Apple Music was Mexico City.

Q: What was the top song on Shazam?

A: The top song on Shazam was ‘BAILE INoLVIDABLE.’

Q: What was the notable increase in Shazam volume for ‘BAILE INoLVIDABLE’ on January 16?

A: ‘BAILE INoLVIDABLE’ saw a 130 percent increase in Shazam volume on January 16 — the day the official trailer was released — compared to the daily average for the seven days prior.